Wilhelm Marstrand, Kardinalen i kirkedøren velsigner tiggere, u.å.

Marstrand Wilhelm

Wilhelm Marstrand 
Cardinal blessing beggars at the church doors, n.d.
Oil on canvas, 57 x 52 cm.
Acquired 1908

 

Instead of depicting Rome’s magnificent and majestic churches from the inside, Wilhelm Marstrand depicted the harsh reality that took place outside the church’s walls in this painting. A group of emaciated beggars flock around a cardinal who hurriedly blesses them. The bright white colour of the cardinal’s robe stands in stark contrast to the dirty brown shades that make up the beggars’ more modest clothes. Furthermore, with his body language the cardinal signals his discomfort with the situation; his one foot is on the first of the steps to the church, and he appears eager to go back inside and leave the needy beggars outside. Marstand’s own sympathy for the light of the beggars and his critical perception of the Papal Church becomes evident by his depiction of the cardinal’s blessing as an empty, hurried and meaningless ritual.

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Wilhelm Marstrand (1810-1873)
Marstrand was among C.W. Eckersberg’s students and was, as the only one, very interested in narrative and illustrative painting. Marstrand worked with genre painting, literary subjects, portraiture and, in later years, history painting. He was frequently employed as a portraitist and painted a series of portraits of members of the Hage family, among others. Marstrand travelled throughout his life in the larger European countries such as Italy, France, Germany and England. He was particularly fascinated by Italy, where he stayed for several years. From here, he became a major producer of peculiar, touching, and often humorous or ironic depictions of the Italian folk life that so fascinated him.

Translator: The translation agency Diction – J. Niclas B. Jensen

Description

Wilhelm Marstrand 
Cardinal blessing beggars at the church doors, n.d.
Oil on canvas, 57 x 52 cm.
Acquired 1908

 

Instead of depicting Rome’s magnificent and majestic churches from the inside, Wilhelm Marstrand depicted the harsh reality that took place outside the church’s walls in this painting. A group of emaciated beggars flock around a cardinal who hurriedly blesses them. The bright white colour of the cardinal’s robe stands in stark contrast to the dirty brown shades that make up the beggars’ more modest clothes. Furthermore, with his body language the cardinal signals his discomfort with the situation; his one foot is on the first of the steps to the church, and he appears eager to go back inside and leave the needy beggars outside. Marstand’s own sympathy for the light of the beggars and his critical perception of the Papal Church becomes evident by his depiction of the cardinal’s blessing as an empty, hurried and meaningless ritual.

Download Photo »
PUBLIC DOMAIN

 

Wilhelm Marstrand (1810-1873)
Marstrand was among C.W. Eckersberg’s students and was, as the only one, very interested in narrative and illustrative painting. Marstrand worked with genre painting, literary subjects, portraiture and, in later years, history painting. He was frequently employed as a portraitist and painted a series of portraits of members of the Hage family, among others. Marstrand travelled throughout his life in the larger European countries such as Italy, France, Germany and England. He was particularly fascinated by Italy, where he stayed for several years. From here, he became a major producer of peculiar, touching, and often humorous or ironic depictions of the Italian folk life that so fascinated him.

Translator: The translation agency Diction – J. Niclas B. Jensen

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